Solo Recital Tour 2014

NEKSIAMOILmapIn preparation for my upcoming recording this January, I have scheduled four recitals in four week in four states.

On November 1st, I gave a masterclass and presented a recital at Wayne State College in Wayne, Nebraska for their annual Octubafest. My former student, Josh Calkin teaches their and on Halloween night, his students presented a studio recital in costume. I had a great time getting to know his students and working with pianist Philip Pfaltzgraff.

On Monday, November 17th, my colleague Alan Huckleberry and I will going to University of Missouri Kansas City Conservatory. I’ll be giving a masterclass and a recital at and am looking forward to seeing Tom Stein again, who was my guest for the University of Iowa OkTUBAfest just a few weeks ago.

On Wednesday, November 19th, Alan and I will be heading to Illinois State University at Normal for a recital in the same hall that we will be recording in this January. Andrew Rummel, our host, will also be joining us onstage for a trio for two tubas and piano composed by Jerry Owen.

Finally, on December 2nd, I will give my solo faculty recital at the University of Iowa School of Music. Alan and I will be joined again by Andy Rummel for the Owen trio “Theme and Variations for Two Tubas and Piano”.

This will all culminate in January 2015, when we record this program for my second solo CD, which will be called: “Field Notes:Tuba Music from Iowa”. The complete program is listed below:

I Shall Buy a Black Horse – Czech folk melody arranged by Jerry Owen

Four Paintings by Grant Wood – by Barbara York. Commissioned by John Manning 2012
I. Stone City, Iowa
II. Young Corn
III. American Gothic
IV. Parson Weem’s Fable

Blue Grace – by Claire Sievers

Intra Muros – by Katharine Wohlman

Cheese Spread – by John Manning

Variations for Two Tubas and Piano – by Jerry Owen

Sonata en evoluçion constante – Roberto Pintos. Commissioned by John Manning in 2013

OkTUBAfest 2014

image-1Last night we kicked off our annual OkTUBAfest here at the University of Iowa with a fantastic recital by our first guest artist, Dr. David Earll from the University of Wisconsin, Platteville. Dr. Earll presented a preview of his very special program of music by Arizona composers which he is about to present throughout Europe next month.

The program included: Tapestry II for Solo Tuba and Tape by James Demars, Canticle for Unaccompanied Tuba by “Bear” Thomas C. Woodson, Baroque ‘n Brass and Lyri-Tech by Eugene Anderson, Low End by Glenn Hackbarth, and Relentless Grooves: Armenia by Sam Pilafian. The concert was innovative, musical and inspiring and wish Dr. Earl the best of luck on his tour.

Tomorrow, on Saturday, October 25th, will we present our annual “Spooky Tubas” concert at the Coralville Public Library at 1pm. Collegium Tubum will be presenting a program of polkas prior to librarian Sara Glenn reading “Baby Danced the Polka” by Karen Beaumont. This year, I composed a new work called “Horton Hears a Tuba”, which is incidental music to be performed during a reading of “Horton Hears a Who” by Theodor Seuss Geisel. We really enjoy dressing up in costumes and playing for the children each year.

On Sunday night, our second guest artist, Tom Stein from the University of Missouri Kansas City will present a solo recital. The program will be: Arabesque for tuba and euphonium by Joseph Turrin with Randil Jeffreys on euphonium, Sonata (Vox Gabrieli) by Stjepan Sulek, Tuba Concerto by Martin Ellerby, Cascades by Allen Vizzutti, Autumn by John Stevens, and Allegro Fuoco by Roland Szentpali. It promises to be an amazing and impressive program.

On Monday night we conclude our OkTUBAfest with a studio recital featuring students performing solos, duos, a quartet and Collegium Tubum. My students have worked very hard this semester and I am very proud of all of them. Please consider joining us for any of these performances and help us celebrate the tenth anniversary of our University of Iowa OkTUBAfest.

Music for All

I just returned from a trip to Muncie, Indiana where the Atlantic Brass Quintet played for an audience of 1200 screaming teenagers. It was for the Music for All summer music symposium, which took place at Ball State University’s Emens Auditorium.

We were asked to play a 90-minute program without intermission and to make it interactive; talking to the students and explaining each piece as we went. We also invited to young saxophone players up on stage to join us for a performance of Thelonius Monk’s Blue Monk.

It was a fantastic hall and probably the most energetic and appreciative audiences we have ever performed for. One audience member took a vine video showing their amazing enthusiasm.

Here is a slideshow of some photos I took:

ITEC 2014 – Bloomington, IN

ITEC2014As usual, ITEC 2014 was an amazing and overwhelming experience, for both me and my students. Sam Pilafian called it a “Love Fest”, and the motto, “Where it all began” refers to the fact the first International Tuba and Euphonium Conference was held at Indiana University in 1973.

I was thrilled to be able to bring my students from the University of Iowa. As Collegium Tubum, they performed brilliantly on the last night of the conference and we were all inspired and entertained all week by the many amazing performances.

Collegium Tubum backstage at ITEC Bloomington

It would be hard to single out any favorite concerts, but of the course the big names like Øystein Baadsvik , Steven Mead, Roland Szentpali and David Childs were all incredible. But, my favorite moments of any conference are when I get to reconnect, even if briefly, with old friends. Getting to say hello once again to my old roommates from the Regina ITEC David Silden and Bart Collins, and old friends and classmates from Boston, Craig Knox and Steve Campbell. I was also very proud to see two of my former students, Dr. Kate Wholman and Dr. Chris Dickey presenting at the conference as well.

ITEC 2014 was also my first visit to Indiana University and Bloomington. The campus was beautiful and impressive and it was very special to be attending a conference that returned to “where it all began”.

One of the most memorable moments involved hearing a performance of David Baker‘s sonata for tuba and string quartet by David Saltzman. The performance was impeccable and musical, and although I have owned the piece for years, I had never heard it performed – not even in a recording. Dr. Baker was in the audience and it was an extra treat to be able to shake his hand after the concert and marvel at this man’s talent.

It was very touching to hear Eduardo Nogueroles’ performance of his original composition Harvey’s Tuba. Harvey spent some time in Spain and had a great influence on Eduardo and his students, and it was even more poignant for Carol Phillips, Harvey’s widow, to hear the performance and reconnect with Eduardo.

The inter-connectivity of our close-knit world is truly remarkable, and one of our strengths is the bond we all share and celebrate every two years at ITEC. My students and I look forward to the regional conferences of 2015 and the next ITEC in Knoxville in 2016.

Online Tuba Discoveries

Mademoiselle Tuba

I have recently run across a number of interesting tuba and music related things on the internet lately that I thought I would share:

Limelight the “classical music and arts website” from Australia. This online version of the magazine features news, articles, reviews, events, galleries and more.

Not to be confused with the Meridian Arts Ensemble, the Meridian Brass (Quartet) have a very interesting and interactive website. Be sure to check out their new online interactive promo for their new recording “Once Upon a Time” on Prezi. Really cool interface, but I could do without the birds.

Jesse Chavez has a blog called “Longtones: The Pursuit of a Life in Music“. Check out his Sightreading Sundays posts and his posts on practicing with titles like Why Your Degree Title is Wrong and Well Rounded or Specialized?

Another tuba-centric blog is Mademoiselle Tuba maintained by Rachel Matz, principal tuba with the Tallahassee Symphony. Check out her post I’m using my F tuba, and no, I’m not transposing.

Another fun and interesting blog is Sousa Central with the description “Sousaphone and Tuba news, reviews, pictures, interviews and everything.” It’s loaded with photos, videos, and stories all related to tuba.

If you are interested in “BAT” (big ass tubas), check out Barth’s Brass Blog which has posts on his travels with his company Big Mouth Brass.

New School of Music wins award!

ImageArchitzer recently announced that the Suspended Theatroacoustic System for the new University of Iowa Concert Hall has won their A+ award (celebrating architecture’s relevency) in the fabrication category.

To say we are excited about our new building would be an understatement. Due to open in 2016, the new Voxman School of Music will be a state-of-the-art modern masterpiece uniting once again our faculty staff and students under one roof for the first time since 2008.

View images and information about the new building here at the LMN Architects website. (To scroll through the images, look for the << / >> at the top left of the page.)

Here is a diagram of how the system will work:

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http://www.architizer.com/en_us/projects/view/university-of-iowa-school-of-music-suspended-theatroacoustic-system/50135/#.UVcPMRlAsoN

Tubas in the News – March 2013 Edition

ImageA great gallery of photos of the “biggest tuba in the world” from the Houston Chron

Check out this story about a Norwegian “Ice Musician” in Turning a Glacier Into A Tuba from NPR.

Everything I Need to Know I Learned in Music Class by tuba player and business student Andrew Schwartz from CNN.

Read about the new work by composer Michael Daugherty, Reflections on the Mississippi for Tuba and Orchestra from Broadway World.